Abraham Lincoln defined democracy as the government that is of the people, by the people and for the people. The definition is trenchant and describes the role of the citizen as the supreme one. But the world has the history and present of having people or leaders who rise with power and popularity to subdue this philosophy of democracy and to rule as tyrants and keep state of democracy away from their state. The world is full of people who love freedom and detest subjugation. Thus, we have experienced massive riots and upheaval time and again in different places when people rose to overthrow tyranny and accomplish democracy. Download The Dictator a film that is going to satire the utmost desire of a despot to keep his country free from the desire of having democratic government. The film is a cinematic adaptation of the novel called Zabibah and the King written by the president of Iraq, Saddam Hussein. The film spins around the struggle of hardcore dictator, who believes in the mightiness of the dictatorship and completely detests democracy, to sustain tyranny and keep away democracy.
The man puts all that he has in danger just to keep his dream and desire alive. He loves to subjugate citizens and fondly oppresses them. He sets to visit America and there he encounters some misadventures, which lead to the shocking repercussions including a series of events causing cultural collisions. When you watch The Dictator online trailers, you’ll realize that the film also takes inspiration from the recent events that occurred in Libya where the war for independent Libya and democratic state was waged against their leader Muammar Gaddafi. It highlights the visit to U.S and the all-female band of bodyguards. The film also brings to light some of the famous speeches by the president of U.S and Prime Minister of Britain, reproving the despotic actions of tyrants around the world.
The world is enraging to attain the state of freedom, people are rising against their despotic governments and fighting for their right to be democratic. In the midst of this fury and state of war General Aladeen will visit America to only witness a final awakening of consciousness when he gets into some misadventures which will lead him to that. Download The Dictator as it chronicles around the events and happenings that this hardcore dictator witnesses. The film is a satirical depiction of the deepest desire of the despotic dictator to keep his country unaffected from the disease of democracy and freedom, as he may believe. He dreads turning into a democratic government and give his people sovereignty and power, the people who he loves to rule and suppress. Watch full The Dictator in order to experience the contrary situations that some of the countries are facing unlike the developed ones.
The film is cinematic depiction of the novel, Zabibah and the King which is written by Saddam Hussein. General Aladeen believes in the power of dictatorship and loathes democracy. He goes on a trip to America where he encounters happenstances that lead a series of grave and shocking cultural clashes. Watch the dictator online trailers to witness that some of the events and depictions are from real life wars that were going on recently or are still taking place. His visit to America and all female escorts and bodyguards shows similarity to Libyan dictator Muammar Gaddafi. Also it contains some of the speeches from the leaders of democratic country.
Sacha Baron Cohen is best known for creating comedic characters that often walk the line between silly caricatures and sly social satires that mirror our own stereotypes. Ali G: Indahouse, Borat and Brüno were all clear evidence that Cohen has something relevant to say, and that he has no problem having a little fun (sometimes at our expense) while doing so.
With The Dictator, Cohen has offered up his most cohesive (and possibly instigative) film yet – but whether he’s laughing with us or at us, or whether or not you enjoy the punch line, are the questions hanging over this send-up of politics, personal philosophies, and everything in between.
Cohen stars as Admiral General Aladeen, supreme dictator of the oil-rich African nation of Wadiya. Aladeen lives the good life of a dictator – hiring celebrities for sex, executing whoever he wants – until his burgeoning nuclear program stirs a confrontation with the U.N. Aladeen heads to New York to reiterate his life-long commitments to oppression and keeping Wadiya’s oil out of foreign hands, but he is betrayed by his closest advisor Tamir (Sir Ben Kingsley), who has long wished to sell Wadiya’s oil to foreign interests, thereby opening the country to the world.
After barely escaping an attempt on his life, Aladeen finds that Tamir has replaced him with a mentally-challenged body-double who will sign a new constitution in a few days’ time, thereby turning Wadiya into a democratic nation. With his imperial beard gone Aladeen is all but unrecognizable – just another poor immigrant wandering the streets of New York. He is taken in by a new-age leftist feminist vegan pacifist named Zoey (Anna Faris), who runs an organic grocery store – but old dictator ways die hard, and Aladeen soon learns that he must adapt a new approach to civil relations if he hopes to find allies in his mission to save his country from freedom, and deliver it back unto sweet oppression.
The Dictator, as stated, is probably the most cohesive narrative yet for a Cohen film. Unlike his previous efforts (which were more like collections of sketches wrapped around a loose premise), the film has an actual story to tell, with legitimate character and narrative arcs. The story’s themes are familiar (walking a mile in another person’s shoes, etc.), but the twisted way in which they are conveyed is where the humor comes from.
Cohen co-wrote the film with Alec Berg, David Mandel and Jeff Schaffer – the minds behind the criminally underrated Eurotrip – which is evident in the alternating mix of witty (sometimes scathing) satirical humor, and lowbrow slapstick/ potty humor. While the film offers laughs on both the high and low roads, some people may be put off by the sheer amount of shock-value humor, as Cohen and Co. use this outrageous character to offend just about every (and I do mean every) racial/political/religious/gender/sexual group there is. If you are at all sensitive to, or put-off by, crass humor, you will not last long in The Dictator (a young couple in my screening certainly didn’t). The finale of the movie is also likely to be controversial for some viewers; without spoiling it, let’s just say if you are the type of American who is not open to having your politics and patriotism challenged, you too will want to avoid The Dictator. Consider yourself warned.
While the film – Cohen’s third collaboration with Seinfeld/Curb Your Enthusiasm guru Larry Charles – is competent and effective, at this point the formula is beginning to feel somewhat old. If you’ve seen Cohen’s other films, you pretty much know what you’re getting with this one – and unlike Borat and Brüno, this film doesn’t have those delicious slices of real-life where Cohen encounters unsuspecting people, whose reactions to his outlandish behavior were often the funniest things about his films. The Dictator is more like a raunchy Mel Brooks comedy, and although Cohen and Faris – and the parade of comedic and celebrity guest stars (keep an eye out) – are all amusing, there is a distinct sense throughout the film that you’ve seen this all before. When the jokes hit, they really hit, but a lot of the time is spent on juvenile antics – a lot of which are long past their expiration dates (it’s so funny, Arabic language sounds like throat cough!).
The amount of sheer laughter I heard during the parts of the film showcasing low-rung stereotypes or gross-out jokes – compared to the more silent moments when Cohen uppercuts viewers with some scathing satirical commentary – left me wondering whether The Dictator was indeed a bit of witty fun, or rather just further affirmation of very real ignorance, and stereotypical thinking. (For instance, how many people will get that Aladeen is – as he says at one point – not an Arab but an African? Or is John C. Reilly’s bodyguard character reflecting an ugly truth when he responds, ‘You’re all basically Arab.’)
The question of whether the character, or the audience, is in fact the butt of the joke looms large over much of Cohen’s work – but this sly/insightful portrait is one that the comedian has already painted, and re-painted, and painted again. How many examples of the same idea can a comedian successfully convey on film? I, personally, would answer with: “Not many more.